The identity of Swedish-speaking Finns and its construction
Family letters as a source material
Language, class and identity
The 'national awakening' or the construction of the ethnic identity
of Swedish-speaking Finns is a process that began, strictly speaking,
in the end of the nineteenth century (since 1860's), as a kind of response
to the Fennoman movement of Finnish-speaking Finns. The word 'finlandssvensk'
came into common usage since 1910's and 1920's, which has often been
mentioned as an indication of an established group identity. The public
side, 'macro level', of this process is rather well known. Through private
letters it is, however, possible to find information about its more
personal aspects, the 'micro level'. How did Swedish-speaking Finns
feel about their situation in a country that was becoming more and more
Finnish-speaking? How did they construct their identities as Swedish-speaking
Finns, individually and as family members, and what channels did they
find for their activity?
I have studied one family, the Hultmans. They were an educated middle
class family who were also very committed to their home district, Western
Uusimaa (Västra Nyland). How did their self-images and ethnic identities
take shape from 1880's until 1930's? How did they define themselves
and others? This article is concerned with letters as a source material
primarily from the point of view of my own study and the material I
use in it: what questions can be asked from the Hultman family letters,
and what answers may they give?
Swedish-speaking Finns have been and still are a very heterogenous group,
both geographically and socially, which means a heterogeneity of identities,
too. Like in most nationalist movents (at least in the nineteenth century),
the educated class had a key role, even when they claimed to be speaking
for the common people. This is a justification for studying the social
group that has, in spite of its small size, produced a lot of source
material, like letters. However, the educated upper or upper middle
class is the group of 'stereotypical Swedish-speaking Finns' in the
eyes of other Finns. Therefore, the researcher has to pay attention
to a danger of reproducing the old stereotypical image, finding always
similar aspects in their culture also on a personal and family level.
The Hultman family and their archive
A central figure in my study is Oskar Hultman (1862-1928). He was
a son of a wealthy merchant from a small Swedish-speaking coastal town,
Tammisaari (Ekenäs). He became a researcher of Nordic languages, since
1909 a professor of Swedish language and literature in the University
of Helsinki. Thus, he was also taking a rather active part of the more
public process of the construction of the identity of Swedish-speaking
Finns. Oskar Hultman married twice. His first wife Mili Strömberg, daughter
of an official family, died at childbirth in 1894. The child also died.
The second marriage took place after a long lonely period, in 1910.
The new wife, Emmy Stenbäck, had been working for example as a teacher
and a drawer in Finnish National Museum. Their marriage remained childless.
The letters of different family members open different angles to the
Hultman family life - things did not always seem similar to everybody.
Some of them, notably Oskar Hultman, produced more material than others.
It is, however, important to pay attention to what e.g. his wives wrote,
in order to find information about the gender-related aspects of identities.
The letters also tell about the social contacts of the family members.
By the letters received from various people it would be possible to
reconstruct most of the social networks the Hultmans were involved in.
Language and social class defined social interaction; contacts were
normally limited into Swedish-speaking members of one's own class.
The large Hultman family archive includes material produced by three
generations from early nineteenth century to 1930's: letters, diaries,
account books, scientific and other notes and photographs. The members
of the family retained their correspondence and other documents, and
Oskar Hultman organized them with the help of his second wife Emmy.The
family archive became a symbol of family community and a way of maintaining
it, like family archives often were for the nineteenth-century bourgeoisie.
For Oskar Hultman, it was also an essential part of his own identity-construction.
It linked him with the community of his family and ancestors, into his
family history. Emmy Hultman seems to have felt that her husband's family
archive was in a way also hers, and she donated it in her will to the
library of Åbo Akademi (in Turku), which collects archive material about
the history of Swedish-speaking Finns. Because the family archive was
such an integral part of the self-image of the family, the researcher
always has to remember that 'unpleasant' material may have been left
out. It is important to pay attention also to the silences.
Native language and native place
Oskar Hultman's work as a philologist links him with the more public
history of Swedish-speaking Finns and the history of Swedish and Nordic
philology. The Swedish language itself, its meaning for the identities
of Oskar Hultman and his family members, is from my point of view a
more interesting but also more difficult matter. Language was at the
core of being a Swedish-speaking Finn, but how can the meaning of language
to an individual or a family be studied? It might be possible to pay
attention to the way these people used Swedish language, but because
I am Finnish-speaking, I would not be capable of a very vivid analysis.
The Hultmans did not write explicitly about the meaning of Swedish language
for themselves, because it was such an obvious part of their lives.
They were living in an almost completely Swedish-speaking coastal town,
and Swedish was the only language they knew and had contact with. Unlike
some other members of Finnish educated class, they had not much need
for pondering on why the spoke the language they did. Swedish language
was around all the time, it infiltrated the lives of the Hultmans. It
defined the way people communicated and even with whom they communicated.
Language became visible also in situations of conflict, e.g. when one
met people who could or would not speak Swedish.
Identification with a place, native country or native place, is another
important aspect of an ethnic identity. For at least some Swedish-speaking
Finns, including the Hultmans, Finland in its entirety remained slightly
distant. Instead, they found the basis of their identities closer. The
Swedish-speaking coastal area of Finland, since 1920 called Svensk-Finland,
became their 'small native country'. The Hultmans were local patriots
of Tammisaari/Ekenäs: they were committed to their home town and the
surrounding Swedish-speaking Western Uusimaa/Västra Nyland, its coast
and archipelago. Sea and coast became parts of the 'Swedish' mental
landscape, and to a person identified with them, like Mili Strömberg,
spending time in interior Finland felt bleak. She wrote to her bridegroom
Man blir helt vemodig då man ser denna fula trakt och jemför den
med Ekenästraktens härliga natur. Stackars menniskor som bor här!
Jag tror att hvarken Du eller jag kund länge uthärda här, det kännes
så instängdt och tryckt då man ej ser en vattenyta framför sig; man
skulle bli sjuk här af bara längtan ut. Skären! Se det är ändå något
The Hultmans were members of small-town bourgeoisie. When they were
away from their home town, they missed their small-town idyll. The heart
of native place and home town was, of course, home. Home and family
were at the core of the construction of identies. Networks of family
and relatives have been important for upper and middle class culture;
for Swedish-speaking Finns maybe even more important than usually, because
in their small circle families have in many ways been linked with each
other. Contacts were maintained e.g. by writing letters. Especially
correspondence with the closest family members was lively. When a person
was away from home, he/she was expected to write home regularly. Missing
home and idealizing the peaceful life at home with the loved ones were
Eller sitta vi hemma hos oss, min älskade och jag; det är i det lilla
kabinettet - vid matt belysning från ampeln i taket - pianotoner från
salongen--. (Oskar Hultman's letter to Mili Strömberg 16.10.1886)
An educated Swedish-speaking home was a safe idyll in a country that
was threatening to become more and more Finnish-speaking.
Local patriotism stimulated Oskar and Emmy Hultman into active research
of local history. In 1910, they became chairman and secretary in Ekenäs-samfundet
i Helsingfors, a society for increasing knowledge of their home
town and its history. They published many studies and articles on local
history, both together and separately. In her letters to her mother,
Emmy Hultman described the summer house life of the couple as both peaceful
and full of work. In this kind of Swedish-speaking idyll, husband and
wife were working together, as companions, to study their common native
places and their history.
Away from home
Letters were written especially when one was away from home and travelling.
Thus, it is possible to trace the 'personal geography' of the members
of the Hultman family. For them, Finland seems to have consisted mainly
of the narrow Southern and South-Western coastal area. They hardly ever
visited other parts of Finland - even when Mili wrote about the bleakness
of interior Finland, she was in Perniö, quite close to the seaside.
Their Finland seems to have been quite small. Instead, their world outside
it was wide. Sweden was close to them, for Oskar Hultman almost a second
native country where he spent long periods. Especially Germany and Italy
became familiar to Oskar and Mili on their long 'belated wedding trip'
in 1891. Later Oskar Hultman travelled a lot in Europe, both alone and
with Emmy. Even Northern Africa and Asia Minor were visited. The Hultmans
were both small-town local patriots and cosmopolitans. However, most
of Finland remained unknown to him.
How are different countries described in the letters? It seems that
especially in remote countries the 'common people' are described as
very exotic, but that there was not much contact with them. Contacts
remained mostly within one's own social class. When the Hultmans describe
in their letters the people they have met, like other tourists, their
nationality is mentioned, but it does not define a person as much as
his/her social class: wealth and especially the degree of his/her education
and cultivation. In all countries, the Hultmans were very much members
of the educated class, even more than they were Swedish-speaking Finns.
Abroad, their ethnic identity seems often to have meant a Scandinavian
orientation and contacts with Nordic travellers.
The Hultman family archive is not the only source of information about
the Hultmans. And sometimes different sources conflict each other in
interesting ways. This happened, when after Oskar Hultman's death a
short biography (minnesteckning) was published to honour him
(Pipping 1932). A serious biography to honour a professor did, surprisingly,
cause a scandal in the Hultman family circle. In the dispute that followed,
the basic theme was the happiness of a marriage, the relationship of
spouses in a Swedish-speaking educated family. The ideas of womanliness
and of a good wife from two different periods got into conflict with
The letters Oskar and Mili Hultman wrote to each other since 1886 give
an impression of a romantic engagement and a love marriage. The opinion
of Rolf Pipping, the writer of Oskar Hultman's biography, was however
that Oskar's and Mili's marriage was a sad mistake. Mili was a vain,
calculating and empty-headed product of the nineneenth-century education
of women, and her family pressured unwilling Oskar into marriage. The
reader gets an impression that Mili's death was actually a positive
event in Oskar's life. Only a new marriage with Emmy brought him happiness.
The biography is in a strange conflict with the obviously loving letters.
Why? People who had known Oskar and Mili seem to have been asking the
same question. Mili's family demanded investigation and correction.
Soon it was found out that Rolf Pipping had relied on material given
to him by Emmy Hultman, sometimes distorted and sometimes even totally
false. After this, Pipping was ordered to write a detailed correction
(Pipping 1934) - in which he wrote that Oskar's and Mili's marriage
had obviously been a happy one.
According to the original biography, Mili was not able to give support
to her husband in the right way, if at all. Also Mili's correspondence
with Oskar gives an impression that her support to Oskar was emotional
rather than intellectual; she was a woman brought up to be a wife and
a housewife. Emmy's support, instead, was described in the biography
as a companionship that was both emotional and intellectual; this kind
of more modern, companionate marriage seems to have been the writer's
ideal. For Pipping, it seems to have been easy to see an 'old-fashioned'
wife like Mili as totally useless and even bad. But when Emmy's dishonesty
in the biographical process came up, the picture was turned upside down
- the modern wife Emmy became the villain and scapegoat instead.
Discreet and correct intimacy
According to a pamphlet Emmy published for her self-defence (Hultman
1936), the mistakes and misunderstandings in Oskar Hultman's biography
had been brought about by excessive discretion - neither Emmy nor Rolf
Pipping had been asking each other the right questions. This really
seems to have been a part of the problem. Discretion was probably even
more essential in the social relations among the Swedish-speaking educated
class in Finland than it was among Finnish-speakers, because in their
small group it was important not to offend each other. In Emmy Hultman's
case, this had failed.
There was much discretion inside the family, too. The tone of the Hultman
family letters - like Oskar Hultman's diaries, too - is rather correct.
They are usually not very emotional, and there are no embarrassing intimate
confessions made. The Hultmans are usually more conserned with the outward
reality than their inner emotions; at least, emotions are not on the
surface. Love letters, too, follow the conventions of nineteenth-century
letter-writing, although they are the most emotional of the letters.
The Hultmans are telling news about themselves and other people in a
style that sometimes is causerie-like. There is not much serious pondering
on religion or questions of world-view, or on one's identity as a Swedish-speaking
The Finnish-speaking nationalists, Fennomans, were often very seriously
idealistic - according to Juha Siltala, the belief in working for good
and victorious goals gave them a sense of being a part of something
great and important. The Hultmans had no such pathos. Instead, it seems
as if an awareness of the precarious position of one's language and
ethnic group had taught them to take some distance both from themselves
and others. They do not seem to have been very religious, either. They
hardly even mention God, except in phrases that lack deeper religious
meaning. The Hultmans belonged to a rather secular and liberal group
of Finnish educated class, which was primarily Swedish-speaking and
had its roots in trade and commerce - many leading Fennoman families,
instead, came from the clergy.
The world-views, opinions and attitudes of the letter-writers are not
explicit; the Hultmans expected that the person reading the letter would
understand them anyway, and usually even share them. These 'hidden'
structures of thought have to be searched for under the surface of the
text. Sometimes they are rather obvious, although they are expressed
indirectly. Often they take the form of irony; e.g., it is not hard
to notice what was Oskar Hultman's opinion about Finnish-speaking uncultured
'gentlemen' (finnherrar), whose number seemed to be increasing
all the time.
When letters are considered to be a source material that can give information
about human emotions and intimate experiences, the correspondence of
the Hultmans does not, at the first glance, seem very rewarding. It
does become more interesting, when you start looking for emotions under
the surface, or if you pay attention precisely to the correct, civilized
tone of the letters. Emotions were often hiding behind a correct facade.
Sometimes the facade was cracking, notably during the dispute caused
by Oskar Hultman's biography. This kind of correctness and civilization
- in the sense Norbert Elias uses the concept - might be a part of the
culture of the Swedish-speaking educated class in Finland more than
that of Finnish-speakers. Educated Swedish-speaking Finns had to distinguish
themselves not just from common people but also from the Finnish-speaking
educated class. For the Hultmans, this seems to have included distance
from both one's own emotions and from other people. When the Hultmans
got emotional or sentimental, the sentiment was often one of nostalgia:
they longed for a safe home or small-town idyll, which often seemed
to exist only in the past.
Sources & Bibliography
- Åbo Akademis bibliotek (ÅAB), Turku. Handskriftssamling.
- Chartier, Roger 1997: 'Introduction: An Ordinary Kind of Writing.
Model letters and letterwriting in ancien régime France', R. Chartier,
A. Boureau & C. Dauphin, Correspondence. Models of Letter-Writing
from the Middle Ages to the Nineteenth Century. Polity Press, Cambridge/Oxford.
- Elias, Norbert 1978: The History of Manners. The Civilizing Process:
Volume I. Pantheon Books, New York. 
- Elias, Norbert 1982: State Formation & Civilization. The Civilizing
Process: Volume II. Basil Blackwell, Oxford. 
- Hultman, Emmy 1936: Hänsyn och historia. Med anledning av minnesteckningen
över prof. O. F. Hultman. Särtryck ur Svenska Litteratursällskapets
i Finland Förhandlingar Ny Följd 12, Helsingfors.
- Klinge, Matti 1982: Kaksi Suomea. Otava, Keuruu.
- Mazzarella, Merete 1993: Att skriva sin värld. Den finlandssvenska
memoartraditionen. Söderströms, Helsinki.
- Ollila, Anne 1998: Jalo velvollisuus. Virkanaisena 1800-luvun lopun
Suomessa. SKS, Helsinki.
- Pipping, Rolf 1932: Oskar Fredrik Hultman. En minnesteckning. Särtryck
ur Svenska Litteratursällskapets Historiska och Litteraturhistoriska
studier 9, Helsingfors.
- Pipping, Rolf 1934: Rättelser till minnesteckningen över O. F. Hultman.
Särtryck ur Svenska Litteratursällskapets Historiska och Litteraturhistoriska
studier 10, Helsingfors.
- Siltala, Juha 1999: Valkoisen äidin pojat. Siveellisyys ja sen varjot
kansallisessa projektissa. Helsinki.
- Åström, Anna-Maria 2001: Om det "inre" och det "yttre" i det finländska
själslandskapet. Kärnsymbolik i ett civilisationshistorisk perspektiv.
Anna-Maria Åström, Bo Lönnqvist, Yrsa Lindqvist: Gränsfolkets barn.
Finlandssvensk marginalitet och självhävdelse i kulturanalytiskt perspektiv.
Svenska litteratursällskapet i Finland, Helsingfors.
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